This essay will explore the concept of the modern metropolis as a milieu in which a person can escape from the general awareness of society and become practically invisible to the world at large, living a life that most citizens are unaware of. Yet I will also explore how the social intricacies of the city can make it very difficult for some people to successfully complete this disappearance, perhaps due to economic or sociological background. Despite the opportunity for disappearance and reinvention of identity, the many ways in which a person can be traced in the modern metropolis make complete and permanent invisibility an unlikely outcome. Given the opportunity to vanish into a vast natural wilderness with no people or society, the attempt could be more successful and complete, but in the city there is an illusion of invisibility that cannot be sustained due to the eyes and ears of a civilization in constant activity. Connected this paradoxical theme of attaining ‘invisibility’, and yet in some cases more ‘visibility’, is the idea of the metropolis as a different experience for different people, with many aspects of the city being to all extents invisible, or at least denied, to some of its inhabitants. This could be for a variety of reasons, such as class, creed, gender or even sexuality.
These ideas are posed in relation to the novel Ordinary Thunderstorms by William Boyd, and the film Desperately seeking Susan, directed by Susan Siedelman. Continue reading